In his review of the Whitechapel Gallery’s Electronic Superhighway (2016 – 1966) exhibition, Matthew Fuller immerses himself fully in the minds of its curators

Several decades after the birth of artivism and net art, UBERMORGEN continue to make art with and about networked society. But where net art 1.0 was largely critical of capitalism’s use of networks, today UBERMORGEN’s tactics work through an aesthetics of affirmation. Interview by Stevphen Shukaitis

Unpicking the Olympic regeneration of East London

A Mute magazine production - Wed 20 Jun 2012, 6:30pm

Book here Free Word Lecture Theatre

The Semantic Web, a machine readable representation of everything, is a future that has already started to arrive. The University of Openess’ Faculty of Cartography looks at its dual potential to flatten and diversify the relations between data and existence. By Saul Albert, Simon Worthington, and Fabian Thompsett, with help from Ben Russell, Jo Walsh and Asim Butt.

The Metamap

surveillance and privacy

Map ISBN 978-1-906496-60-9

PDF version

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